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| Tinubu & Pretty Okafor. |
The Performing Musicians’ Employers’ Association of Nigeria (PMAN) has taken careful note of the public announcement issued by the Musical Copyright Society Nigeria Ltd/Gte (MCSN) on the release of the first tranche of the Copyright Levy for the Nigerian music industry, and PMAN expresses its profound satisfaction with this development. PMAN welcomes the announcement as a landmark moment for creators, performers, producers, and the broader creative economy—particularly because it signals that a long awaited legal mechanism has begun to work in practical terms for the benefit of Nigerian right owners and performers.
PMAN
specially commends MCSN—especailly Mr. Mayowa Ayilaran (CEO MCSN) for their
public communication and for the diligence it has demonstrated in advancing the
collective administration of rights within the Nigerian music sector.
We also
formally appreciate and commend His Excellency, President Bola Ahmed Tinubu,
GCFR, and the Federal Government of Nigeria for the policy direction and
administrative resolve that has made this first release possible.
PMAN
acknowledges the roles of the Honourable Attorney-General of the Federation and
Minister of Justice, Dr. John O. Asein, Director-General Nigerian Copyright
Commission (NCC), and all relevant public institutions whose efforts
contributed to the emergence of this milestone.
In PMAN’s
view, the practical implementation of the levy scheme represents a meaningful
step towards building a stronger creative economy consistent with the national
agenda for economic growth and improved welfare for citizens working in the
entertainment sector.
It is
necessary to state that the Copyright Levy is not a new invention of industry
actors, nor is it a discretionary “gift” that can be administered without law.
It is a statutory scheme expressly provided for under Section 89 of the
Copyright Act 2022, which contemplates a levy on materials used or capable of
being used to infringe copyright.
The
significance of this provision is straightforward: it reflects a deliberate
legislative policy that recognises the realities of copying and reproduction in
modern markets and creates a mechanism—through lawful collection and
disbursement—to compensate right owners whose works are exploited.
The levy
framework also establishes that the relevant regulatory institutions of state,
particularly the NCC, have statutory functions in relation to the
administration of copyright and the disbursement ecosystem contemplated by the
law. What matters most to PMAN is that the system is implemented with clarity,
transparency, and strict accountability so that the intended
beneficiaries—especially measurable, verifiable outcomes. grassroots
performers—can see PMAN further notes, as a matter of important institutional
history, that PMAN has not merely observed these reforms from the sidelines.
On the 1st
of July 2020, PMAN—under the leadership of President Pretty Okafor—entered into
a Memorandum of Understanding with MCSN. That MOU was designed to strengthen
cooperation around licensing compliance, enforcement support, and the practical
protection of performing musicians’ rights.
PMAN
reiterates that this agreement has helped to further cement and safeguard the
rights and welfare interests of performing musicians within the evolving
collective management landscape in Nigeria.
The
purpose of such collaboration is not symbolism; it is to ensure that the
protection of performers’ rights moves beyond theory into real-world
outcomes—namely, improved compliance by users of music, enhanced royalty
culture, and better economic conditions for the people who create and perform
the music Nigerians enjoy every day.
This is
also the moment for Nigeria to make a broader and more deliberate commitment to
the entertainment sector. The music industry is not merely a cultural
expression; it is a serious economic asset—one that sustains thousands of
livelihoods, exports Nigerian identity globally, attracts tourism and
investment, and creates opportunities for young Nigerians.
When
intellectual property systems are properly built and consistently enforced, the
sector becomes more investable, more professional, and better structured to
deliver jobs, taxes, and national prestige.
PMAN
therefore calls on the government, regulators, private sector stakeholders, and
the general public to continue to support the Nigerian music industry, not only
through commendable policy actions, but also through practical commitments that
strengthen institutions, improve compliance by commercial users of music, and
expand the welfare impact of copyright-driven revenues across all states of the
federation. PMAN remains firmly committed to transparency and accountability in
the administration of creators’ earnings and in all processes that touch the
welfare of performers.
The
credibility of any collection and disbursement system will always rest on
public confidence, open governance, and verifiable accounting. PMAN will
therefore continue to play its responsible role in supporting lawful
initiatives that protect performers, encourage compliance, and promote the
stability of the entertainment ecosystem, while urging all stakeholders to
engage in constructive dialogue, respect due process, and avoid actions that
undermine the long-term growth of Nigerian creativity.
PMAN
concludes by once again commending MCSN on its announcement and thanking
President Bola Ahmed Tinubu and the Federal Government of Nigeria for
demonstrating the political will to advance the creative economy through the
implementation of lawful frameworks.
PMAN looks
forward to sustained progress that reaches the grassroots and meaningfully
improves the welfare of Nigerian performing musicians nationwide.

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